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And God saw that it was good

I have never received any formal training in photography.  I am largely self taught.  Everything I have learned is through reading photography books and magazines and taking lots and lots of photographs. 

The two photographers having the greatest influences on my photography are Ansel Adams and Ernst Haas.

I remember purchasing a book titled ‘Yosemite and the Range of Light’ that was published in 1979.  I have looked at the photographs over the years and used them as an inspiration.  When I started photography, I dabbled with Ansel Adams' Zone system and attempted to take black & white photographs.  I soon realized that, while I could take decent black & white photographs, my talent lied with color photography.  That is where I excelled.  With that realization, I have shot color photographs ever since.

My brief venture into black & white photography proved to be insightful.  I realized the importance of the lighting and how crucial it was to taking a good photograph.  In Ansel Adams’ Zone system, he deliberately over exposed or under exposed his plates and then compensated for this by extending or reducing the development time.  The purpose of this was to produce the broad black & white tonal range that his photographs are famous for.  He would visualize a scene and then determine how much over or underexposure was needed then then what development adjustments were necessary to produce the visualized tonal range.  What I quickly realized is that this is exactly the opposite of what is needed for taking color photographs.  Most slide films have a very narrow exposure latitude.  Because of this, it is necessary to make sure that the ambient light from the scene is within this narrow exposure range.  If the lighting is outside the range, the highlights will be washed out and/or the shadows will be a plain black.  To assist with using the Zone system principles, most zone system advocates use a spot meter.  A spot meter is a light meter that takes its readings from a very small area within the total picture area.  In the Zone system, it is used to measure the tonal range from the whites and the blacks within the picture area to determine the ambient light range, which in turn is used to determine how to adjust the exposure to produce a wide exposure range. 

I had purchased a Pentax spot meter for black & white photography but I soon discovered how valuable it was for color photography.  I would use it to scan the picture area to determine the exposure range.  If the range was too extreme, it was a signal that the photograph would not be a good one.  Sometimes it was possible to reduce the range by using a polarizing filter, but it was a good idea to walk away from something that could not produce a good photograph.  However, many times I would realize that if I were to come back during a different time of day or wait for some clouds to reduce the amount of light.  Even color photography requires pre-visualization to understand how the light affects the photograph.

This is perhaps why the title of Ansel Adams book has so much meaning for me.  Understanding the range of light has proved to be a critical element to my photography.  I have several photographic prints of Adam's photographs.  They were made from his glass slides by one of his assistants, Alan Ross, who prints and sells the photographs through the Ansel Adams Gallery in Yosemite.  I frequently gaze with awe at the photographs and never tire of looking at them and their range of light.  I have attended at least two major exhibits of Ansel Adams works at the Los Angeles County Museum of Art (LACMA) just to see the photographs that he printed himself.  The last exhibit showed quite a few of his earlier photographs.  It was interesting to see his work progress from the rather primitive photograph through his later masterpieces having a full tonal range.

When I was beginning to take photography seriously, I purchase a book titled “The Creation” by Ernst Haas.  His photographs were all color photographs.  While they are very good photographs, I soon felt that some of my photographs were almost as good as his.  But what really impressed me about the book is that it begins with quotations from Genesis in the Bible.  We all know the beginning words; “In the beginning God created the heaven and the earth.”  Haas notes the Introduction to the book that the phrase “And God saw that it was good” is repeated many times in the opening passages.  It is clear that Haas had a great sense that his photographs capture all visual beauty that made God see that it was good.  When I gaze upon a really good photograph that I have taken, my mind always goes back to those words and I can say “Yes God, it is good.”  My only wish for the world is that it would start to look at the world and its population with loving eyes so that they would also see that is good.  The Gods may differ among different people, but I think the Gods would all look at the world and say that it was good.  If people would look upon the world and be able to say that it was good, there probably would be no war, no poverty, no hatred, no starvation, no conflict, no……, well, you get the idea.

The first time I visited Zion National Park, I had this incredible feeling of awe and joy and excitement and wonderment.  I have never been particularly religious, but this was truly an incredible religious experience.  I have returned to Zion many times and it remains my favorite National Park.  When I return, I no longer feel the awe as intensely as I did on my first visit, but I still have vivid memories of that first visit and the emotional impact it had on me.  I have experienced similar feelings at each of the National Parks and foreign countries I have visited.

Another photographer I admire is W Eugene Smith.  He became famous as a photographer for Life magazine.  Smith primarily photographed people, something that I am not very good at.  Actually, in photographing people,  he captured their souls.   His photo essay called 'Country Doctor', published in Life magazine in 1948, vividly captures the life of a country doctor.  It is considered the standard for the photo essays that appeared in Life.  Another famous photograph taken by Smith is one of a soldier holding an infant found in a battlefield.   Later in his life, Smith documented the effects of industrial mercury pollution on a small fishing village in Japan called Minamata.  A local chemical company had flushed its mercury laden industrial waste into the ocean.  The mercury was assimilated by the local fish which, in turn, was eaten by the residents of Minamata.  Smith documents the effects of the mercury on the children and the village's legal battles against the chemical company.  There is a photograph in his book of a mother lovingly bathing her adult  daughter, whose body is horribly deformed and twisted as a result of the mercury poisoning and does not even recognize her mother.  I cannot look at that photograph without shedding tears.  I have never experienced any photograph that evoked such an searing emotional response, it is that powerful.